With its intoxicating performances incorporating samba, samba-reggae, timbalada, funk, maracatu, ijexá, coco, hip-hop, samba-rock, and many other experimental mixes, MaSamba's performances have received acclaim in throughout Europe and Brazil.
MaSamba Samba School was created on the huge wave of enthusiasm following the 1994 Big Bang Festival at the City Arts Centre. Initially the group was set up as a team-building exercise for the staff of the arts centre, but demands for performances and workshops soon saw the group becoming independent and working in partnership with the City Arts Centre on numerous projects until the Centre closed the doors on the Moss Street premises. MaSamba has always had an open-door policy of encouraging those with little or no previous drumming experience to attend its weekly community workshops, as well as maintaining a semi-professional performance group which is available to play a wide range of events.
"The Music Capital Scheme has supported our work over many years, facilitating us to put quality musical instruments into the hands of literally thousands of children and young people. Without them, delivering our service would be almost impossible." MaSamba Samba School
Cellist Sinéad O’Halloran is quickly establishing herself as one of Ireland’s most exciting young musicians.
Co-founder and Artistic Director of the Ortús Chamber Music Festival, established in Cork in 2015, Sinéad is passionate about bringing together Irish and international musicians for concerts, education work and audience development in the wider community.
An avid chamber musician, Sinéad has performed at IMS Open Chamber Music (Prussia Cove), the West Cork Chamber Music Festival, the opening of the Bozar Season (Brussels) and the 25th Anniversary of the Fall of the Berlin Wall. She is a member of the Laguna Quartet and the European Chamber Ensemble and has collaborated with musicians including Tasmin Little, Barry Douglas and the Vanbrugh String Quartet.
As a member of the European Union Youth Orchestra for seven years, she toured Europe, South America, the United Arab Emirates and the Caribbean. As Principal Cellist of EUYO she led the section at numerous high profile events, including the BBC Proms and The Armistice Day 100 Years Anniversary Ceremony, performing at the foot of the Arc de Triomphe during a ceremony marking the centenary of the end of World War I in front of 84 Heads of State and world leaders, and a live television audience of millions.
"It is an extraordinary scheme which has supplied so many of Ireland’s musicians with invaluable access to funds to assist in the purchase of high-quality instruments bows. My international peers are envious!" Sinéad O’Halloran
St. Agnes’ Community Centre for Music and the Arts is based at Armagh Road, Crumlin, Dublin and offers music tuition to people of all ages across a number of instruments.
The Centre opened its doors in November 2013 and is an intergenerational project where age is irrelevant. It aims to bring all members of the community together to enjoy affordable music classes and other music and arts activities. The Centre houses the St. Agnes' Crumlin Community Choir, the Memory Lane Choir, for those diagnosed with dementia and Alzheimer’s Disease and the St. Agnes' Cultural and Heritage Society. The Centre also provides quality affordable music classes in a variety of instruments to the wider community.
Its School Project alone has enabled over 1,000 children to have the opportunity to learn musicianship, to play an instrument, and to play in an ensemble and the programme has extended to the parents of the students and to the entire community, maintaining participation of ex-pupils through to their adulthood and including adults who have never learned music in the late-starter orchestra and in staged musical productions. The wider community has access to many free concerts and activities during the year and to live theatre productions of great classics of musical theatre and pantomime.
"The Music Capital Scheme is a wonderful visionary movement to help many to engage with musical instruments, many of whom are very often talented musicians and to help fill the gap and give them access to music and all its benefits. Dreams are realised enabling them to know they are part of a movement that cares and a chance to experience the joy this music brings to them and to reciprocate it to others." St. Agnes’ Community Centre for Music and the Arts
Headway Ireland provides rehabilitation services for people living with Acquired Brain Injury (ABI) to help them rebuild their life after a brain injury. The organisation received Music Capital Scheme funding to purchase a digital piano for their choir.
The Headway Ireland Choir brings together people from different cultural backgrounds who share a passion for music to develop skills and confidence across several areas including listening, vocal production, group participation and cooperation. It also seeks to develop performance-related skills and confidence, and to impact positively on the emotional management and mood of its members. The choir uses its platform to raise awareness of ABI and the challenges it presents to people recovering from it.
"In our case, the Music Capital Scheme has literally helped to give a voice to the voiceless. Many clients affected by Acquired Brain Injury experience language difficulties such as aphasia which make it almost impossible for some people to communicate in spoken language. A choir is one form of expression which helps to build confidence, improve expressive skills and to provide an important social outlet for people affected with lifelong disability following brain injury." Headway Ireland
Matthew 'Mattu' Noone is an Australian-Irish ex-indie rocker and well-known performer of a 23-stringed lute called a sarode.
Matthew plays a hybrid sarode which was created with funds from the Music Capital Scheme to develop a new instrument particularly for playing Irish traditional music. He has studied North Indian classical music for over a decade with Sougata Roy Chowdhury in Kolkata and more recently with UK-based sarodiya, K. Sridhar. Matthew has performed Indian music across the globe and was a founding member of successful fusion group, The Bahh Band. He has recorded with a host of contemporary Irish musicians such as Tommy Hayes, Sean Tyrell and Ronan O'Snodaigh and collaborated with Martin Hayes and Dennis Cahill on a recent tour of India.
"The Music Capital Scheme completely transformed my performance career through the acquisition of a new instrument - an Indian 23 stringed lute called the sarode. The unique tuning of this specifically designed instrument allowed me to explore the world of Irish traditional music. Over the last three years, this new instrument has become my main performance tool and has led me to collaborate with musicians of the highest calibre in Ireland and also in India. It has led to a more regular performance career and a much higher profile as an artist. It also has transformed the way I play and think about music." Matthew Noone
Regarded as “the most significant harper of her generation” (Nuala O’Connor), Laoise received Music Capital Scheme funding to purchase an Irish harp.
Laoise has produced three critically acclaimed solo albums, Just Harp (1999), Ceis (2010), and Fáilte Uí Cheallaigh (2015), as well as a live duo album, The Wishing Well (2010), with fiddle player Michelle O’Brien. Laoise was a founding member of traditional group Bumblebees with whom she recorded two albums (1997, 1999) and toured extensively internationally. Laoise continues to tour with Trad legends Tommy Peoples and Breanndán Begley since their Music Network tour in 2011. She also has a number of musical collaborators including a duo and upcoming album with uilleann piper Tiarnan Ó Duinnchinn, Albiez Trio with Cormac Breatnach (whistle) & Tola Custy (fiddle), Scottish Gaelic singer Kathleen MacInnes, double bassist Martin Brunsden, and is a member of Fiddletree, a group from America, Cape Breton and Scotland who play eight instruments made from the same tree.
"This is a fantastic resource for musicians who have difficulty funding necessary instruments." Laoise Kelly
Tipperary-born multi genre violinist Lucia received Music Capital Scheme funding to purchase an Ian Knepper violin.
Lucia began playing the fiddle at the age of four. While she first started off playing classical music, she quickly began to develop an interest in and a love for traditional Irish music and has since become an accomplished player in many different genres. She is the winner of many national titles, including the Fiddler of Dooney, the International Pan Celtic title and has numerous All Ireland titles from Fleadh Cheoil na hÉireann.
Lucia completed her BMus degree at CIT Cork School of Music where she studied classical music with Gregory Ellis and traditional music with Johnny McCarthy. She also has recently completed her MA in performance at both CIT Cork School of Music and the University of Gothenburg in Sweden where she also undertook to learn some Swedish Folk music. Lucia is a member of Strung, a contemporary Irish music ensemble, who originally formed in Cork and have toured extensively in Ireland, Europe and the USA. She has also performed around the world with ensembles and orchestras including the National Youth Orchestra of Ireland, the National Folk Orchestra of Ireland, the University of Gothenburg Symphony Orchestra, Suptrio and Atlas. Lucia received Music Capital Scheme funding to purchase an Ian Knepper violin.
"The Music Capital Scheme is one of the most important resources for professional musicians in Ireland today. The support of the scheme is ensuring that Irish musicians, and the rich culture of music in Ireland, are both thriving."
Regarded as one of Ireland’s most promising musicians, international award-winning violinist Patrick Rafter received Music Capital Scheme funding to purchase a violin bow.
International award-winning violinist Patrick Rafter has toured Europe, Asia and America as concert violinist, chamber and orchestral musician, and currently studies under Maxim Vengerov and Oleg Kaskiv at the International Menuhin Music Academy Switzerland.
During his career, Patrick has studied with and performed alongside some of the greatest performers and teachers in the world today, including Maxim Vengerov, Schlomo Mintz, Barry Douglas, John O’Conor, Igor Ozim, Serjei Krylov, Reiner Honeck, Maurizio Fucs and Graf Mourja. He has also worked with some of the leading composers of the world today, such as Arvo Pärt, and performed with some of the greatest conductors including Semyon Bychkov, Marin Alsop, Sir Mark Elder and Gianedra Noseda.
"Music Network provides an invaluable support to professional musicians in their pursuit of obtaining and owning high-quality instruments. The Music Capital Scheme provides an excellent opportunity for young professionals who find obtaining high-quality instruments nigh on impossible in today’s economy." Patrick Rafter
Harp player and teacher Eilís Lavelle received Music Capital Scheme funding to purchase an Irish harp.
Eilís has won many awards and accolades including All-Ireland Fleadh titles, the Oireachtas and the O’Carolan Cup at the ESB Feis Ceoil. Having completed her BMus degree at DIT Conservatory of Music and Drama, she was awarded the Leo Rowsome award for the highest achievement in traditional music 2013. She completed a Masters in Music at Queen’s University in Belfast in 2014 and is currently undertaking a PhD in music, focusing on old harp collections and music from the 1800s.
Eilís has premiered contemporary works by Linda Buckley (RTÉ’s resident composer in 2012), with the RTÉ Concert Orchestra and has performed in the O2 in Dublin as part of the Notre Dame Gathering alongside Noel Eccles. She is also a member of the band Skipper’s Alley, who have released their first album following a win of the coveted Loic Raison competition in Lorient, Brittany.
"The Music Capital Scheme is vital available funding for musicians in Ireland to avail of more superior instruments. It is becoming increasingly difficult to source the means to purchase such instruments, making this scheme crucial to Irish musicians who want to progress in the music industry."
Experimental, electronic and electro-acoustic musician Neil O'Connor received Music Capital Scheme funding to purchase a modular synthesiser.
Neil has been involved in experimental, electronic and electro-acoustic music for the past sixteen years and has toured extensively in Ireland, Europe, Australia, Asia and the US. His work has been shown/performed at Resonances Festival @ IRCAM Paris, Kunsthalle, Berlin, Massachusetts Museum of Modern Art and the Institute of Contemporary Art, London. He has held residencies at the Massachusetts Museum of Modern Art, USA and EMS – Swedish Institute of Electro-Acoustic Music, Stockholm, Sweden. As a composer, he has written for solo, duo, string quartet, large ensemble and orchestra along with mixed media projects. He has recently worked with the Bang on a Can Ensemble and David Crowell (Phillip Glass Ensemble). Neil received Music Capital Scheme funding to purchase a modular synthesiser.
"It’s a Make Music System Cartesian Modular Synthesizer. It’s capable of several types of synthesis: subtractive, additive, FM, phase modulation, ring modulation, amplitude modulation and more, often simultaneously. I am using it to enhance my live performance, particularly for improvisations with other modular synthesizer performers." Neil O'Connor
One of Ireland's leading fiddle players, Liam received Music Capital Scheme funding to purchase a violin bow.
Liam was born into a musical family in Dublin. His father Mick O’Connor is a flute player, researcher of music and a founder member of the Castle Céilí Band. During his youth, Liam was taught by Séamus Glackin and won several All-Ireland and Oireachtas fiddle titles. He was awarded TG4 Young Musician of the Year in 2002. He has performed as a soloist and in duets with Liam O’Flynn, Noel Hill and Harry Bradley among others. In 2009, he released a critically acclaimed CD entitled Dublin Made Me with uilleann piper Seán McKeon. In March 2017 he released his long awaited solo CD The Loom, described by The Irish Times as "A multi-layered treasure trove." (*****)
"It is great that there is a forum for funding individual musicians who put in so much time and money over many years. The fact that, through Music Network, the state is meeting some musicians 50:50 is very important; the need for appropriate quality tools is often imperative for musicians to fully develop and unfortunately the cost of quality musical instruments is often beyond us. However, by backing the musicians 50:50 you can enable them to attain excellent instruments and the musician can be offered a chance to strive at a level that would be beyond them on an inferior instrument." Liam O'Connor
Julianstown Youth Orchestra received Music Capital Scheme funding to purchase a full set of timpani and percussion as well as lower strings and brass instruments.
The Julianstown Youth Orchestra was founded in 2011 by Maria and Fergus Sheil. It has quickly grown and now has approximately 100 members which are organised into 2 orchestras - a junior orchestra consisting of primary school children and a senior orchestra consisting mainly of secondary school students. The aim of the orchestra is to provide a uniquely high-quality music experience for its members, who are drawn from counties Meath, Louth and Dublin. The orchestra operates as a not-for-profit community organisation. It is led musically by Fergus Sheil and operated by a voluntary committee.
"Having the support of the Music Network Music Capital Scheme has enabled Julianstown Youth Orchestra to hugely expand its artistic horizons and to also enable more young people to take part in the unique experience of playing in a youth orchestra. The orchestra has purchased a full set of timpani and percussion as well as lower strings and brass instruments with Music Capital Scheme support. This has opened up new repertoire for the group and enabled the creation of a genuine full orchestral sound. Many different members have had opportunities to use these instruments which are distributed to players on a needs basis and rotated over a period of years. It undoubtedly has encouraged many new players to become involved in the orchestra as well as diversifying the talents of existing members." Fergus Sheil, Julianstown Youth Orchestra